Here is how it came to be that Larry David kind of sort of called The Donald a racist. When NBC announced that Trump would be hosting Saturday Night Live, several progressive organizations, 50 cultural and intellectual luminaries, and several members of the Hispanic Congressional Caucus condemned the decision. The National Hispanic Media Coalition teamed up with organizations like Moveon.org and the Justice League to organize a protest outside 30 Rock the night of the show. The DeportRacism.com PAC joined in, offering $5,000 to any audience member who would stand up during the show and call Trump a racist. As organizer Santiago Cejudo put it, “We’re hoping the $5,000 will help people on set or in the studio audience find the bravery to speak out loudly and help focus the national conversation on that we need to deport racism, not people.”
Towards the end of Trump’s painfully flat opening monologue, someone yelled out, “You’re a racist!” An obviously unfazed Trump responded to the clearly staged interruption, by asking, “Who the hell is… Oh, I knew this was going to happen.… Who is that?”
At this point a spotlight revealed that it was Larry David, who had appeared as Bernie Sanders in the opening skit. No longer in costume, David said again, “Trump’s a racist.”
“Why would he do that?” Trump asked.
“I heard if I did that, they’d give me $5,000,” said David with his signature combination of disinterest and distaste. Trump had the last word, saying, “As a businessman, I can fully respect that.”
Many in the media have praised David for his yelling, with some even confusing an obviously prepared exchange with a genuine disruption. Variety magazine said, “Larry David provided one of the few real moments of spontaneity in Saturday’s episode.” Complex magazine praised the “legitimate burn by Larry David (a.k.a. The God),” and described it as “fantastic…something of an Easter egg that none of us could have anticipated but were nonetheless praying for.” The Daily Beast described David’s yelling as one of the episode’s “scathing Trump critiques.”
It’s hard to watch TV, go online, or even leave the house without encountering the deceptively cherubic face of comedian and filmmaker Amy Schumer. Sketches from her Comedy Central show, Inside Amy Schumer, are viral sensations; her HBO standup special, directed by Chris Rock, will air in October. She wrote and stars in the critically-acclaimed film Trainwreck, directed by Judd Apatow, which is raking it in at the box office. On Monday night, she appeared as one of Jon Stewart’s final Daily Show guests; earlier that day, Schumer held a press conference to announce her support for a plan championed by her distant cousin, Senator Chuck Schumer, to make it harder for criminals and the mentally ill to obtain guns. This comes on the heels of the July shooting at a Louisiana movie theater during a screening of Trainwreck, in which two women were killed and nine people were injured.
Amy Schumer’s stand-up and sketches tackle issues like birth control, abortion, rape, sexism, and warped female beauty standards with humor and fearlessness, positioning her as a feminist icon. And indeed, some critics and fans have hailed Trainwreck as a clever subversion of the typical romantic comedy plot. But others complain that it reinforces the rom-com narrative more than it challenges it. Schumer has also come in for criticism over her handling of race issues, both in Trainwreck and in her sketches and stand-up.
I talked about Amy Schumer’s comedy and its presentation of gender and race with writers and performers who themselves engage with these themes in a funny and thoughtful way. Laura Swisher is a stand-up comedian who worked as a producer for Totally Biasedwith W. KamauBell and now works for The Nightly Show with Larry Wilmore. Gabe Pacheco is a stand-up comedian who co-hosts and co-produces Funhouse Comedy, a weekly stand-up comedy show in Williamsburg, Brooklyn, and is a co-host on The Katie Halper Showon WBAI. Rae Sanni is a comedian and writer who co-hosts theIt’s About Us podcast. Samhita Mukhopadhyay is the author of Outdated: Why Dating Is Ruining Your Love Life. Kate Levin is a writer of fiction and creative non-fiction, and faculty member of the University of Southern California, whose most recent piece, for The Boston Globe, reflects on being ateenage prank call addict.
Katie Halper: Let’s start with the argument that some of Amy Schumer’s jokes are racist. What do you think of that criticism—and Schumer’s response?
Laura Swisher: There are comics whose material I loathe and find offensive, and often times it’s because their material is racist and/or sexist and utterly lacking in craft. But if a comic can make me laugh, or surprise me, I give them a lot more leeway, even if individual jokes might be offensive. I’d put Schumer in the “give her more leeway” category.
Kate Levin: The most salient thing for me when I think about Schumer and race is the response she gave after a Guardian writer called her out for having a blind spot around this subject. In response to criticism of the joke, “I used to date Hispanic guys, but now I prefer consensual,” she replied, “It is a joke and it is funny. I know that because people laugh at it…. Trust me. I am not racist.” I like Schumer—some of the stuff on her show I like a lot—but her response doesn’t hold up to the tiniest bit of scrutiny. She knows what she said wasn’t racist because… it was funny and people laughed at it? People laugh at racist jokes all the time! She knows that. (People also laugh at stuff that isn’t funny all the time, which she knows, too.) So what could land a smart person in such a swamp of illogic? Continue reading “ Comedians Debate: Is Amy Schumer’s ‘Trainwreck’ Sexist, or the New Feminism?”→
It was a no-brainer that Stephen Colbert as The Late Show host would be less politically edgy or hard hitting than he was on The Colbert Report. After all, The Colbert Report was arguably the most relentlessly, fiercely political, and, dare I say, partisan (in a good way) television show ever. Because Colbert never broke character, nearly every sentence he uttered was a political statement in which he simultaneously mocked right-wing values, or lack thereof, and implicitly advanced his own humanism and progressive political orientation. As Colbert explained in his Late Show debut, “I used to play a narcissistic conservative pundit—now I’m just a narcissist.”
But it’s not just that he’s taken off the character mask. Colbert has gone from cable to a major network. Cable is always less restricting than network television, but on top of that, Comedy Central, a channel dedicated exclusively to, well, comedy, is especially irreverent. Strong political opinions aren’t as tolerated on network television, which is why NBC (the network) has MSNBC (the cable channel) and Fox (the network) has Fox News (the cable channel). (I’m in no way equating MSNBC and Fox News, by the way—Fox News is a lot further from the center and from the facts than its so-called liberal counterpart.)
So, given these limitations, how did Stephen Colbert as political critic fare this past week? As expected, the first week of the show revealed a more politically restrained Colbert, and even some clichéd bipartisan statements and gestures. But given the new context, he managed to keep the show’s politics fairly pointed. And maybe, just maybe, his more bipartisan tone will prove to be a strategic way for him to deliver his more politically daring messages. A girl can dream.
Already, the focus and overall content of Colbert’s Late Show has been far more political than that of other late night network talk shows, including David Letterman’s. Colbert’s guests for the first week included Jeb Bush and Joe Biden, and the guests for the second week include Supreme Court Justice Stephen Breyer, United Nations Secretary-General Ban Ki Moon, and Vermont Senator Bernie Sanders. While David Letterman did interview then–Vice President Al Gore during his second week hosting The Late Show in 1993, none of his other early guests were involved in politics. When Jay Leno took over The Tonight Show in 1992, his early guests were Billy Crystal, Emilio Estevez, and Christian Slater. When Jimmy Fallon replaced Leno in 2014, he had Michelle Obama on, and even asked her about the Affordable Care Act, but the rest of the interview steered clear of politics, while Fallon’s other first week guests—Will Smith, Jerry Seinfeld, Bradley Cooper, and Justin Timberlake—all fit the mold left by his predecessor. Continue reading “ Are Colbert’s New Politics Softer, or Just More Subtle?”→
Unlike Jon Stewart, Trevor Noah doesn’t ground his comedy in a political ideology. This is of course politically disappointing to people who saw Jon Stewart as someone who not only raised awareness but influenced politics and sometimes even policy. But what’s less obvious is that the lack of political perspective makes the show less funny.
Like millions of viewers in the United States and across the globe, I depended upon Jon Stewart, night after night, to excoriate people in high places who had messed with ordinary people during the day. When Comedy Central announced that Trevor Noah would replace Stewart, I knew that the odds of someone doing as good a job were slim. But I defended Noah when he came under attack for a handful of tweets that ranged from offensive to not at all offensive (just critical of Israeli policy), and from unfunny to really, really unfunny. It seemed an unfair point of focus. I was hopeful that his background, so different from Stewart’s, would bring a fresh perspective. And I thought it went without saying that Noah would continue the show’s political focus and insight.
But then a week before the new Daily Show launched, Trevor Noah told a group of reporters whom Comedy Central had invited to the Daily Show studio that he was “not a political progressive,” but “a progressive person.” Noah said,
What makes me a progressive, in my opinion, is the fact that I try to improve myself and by and large improve the world that I’m in—in the smallest way possible. I know that I cannot change the entire world, but I’ve always believed I can at least affect change in my world. So I try and do that. Progression, in my opinion, is often identifying shortcomings—whether it’s views or the things you’re doing in your life, your relationships—and trying to find the places where you improve on those.
The personal is, of course, political, but Noah wasn’t referring to identity politics or advocating an intersectional analysis. He seemed to equate progress with self-improvement. And he sounded like a self-help guru, or a student-government candidate just starting out.
The first weeks of Trevor Noah’s Daily Show have revealed a host whose perspective is unclear. This isn’t just a political problem but a comedic one. Despite being consistently affable and charming, Noah rarely puts forward a personal perspective about politics, or anything. And this lack of perspective makes the humor of his monologues and interviews feel haphazard. The sooner he figures out who he is, what he’s going for as a person and a host, the sooner he will be able to find a voice for conveying his vast comedic gifts.
We had a preview of his bro-ish humor during the backlash to Noah’s tweets last spring. Noah was accused of being a misogynist and, again, not funny, for his tweet from 2011: “ ‘Oh yeah the weekend. People are gonna get drunk & think that I’m sexy!’—fat chicks everywhere.” While he didn’t do or say anything nearly as overtly offensive on the show, there were echoes of bro-ish sexism and body shaming. Noah set up a segment on Lena Dunham’s interview with Hillary Clinton by saying, “Hillary knows how to win the nation. First you have to win the butt-smotherers.” With as much nuance as displayed in the joke, the screen behind Noah showed a partially blurred image of Allison Williams’s character receiving analingus on an episode of Girls.
The joke was pretty sophomoric and slightly slut shaming, in a vague and thoughtless way. Then he showed a clip in which Dunham asked Clinton if she was a feminist, to which Clinton responded, “Yes, absolutely.” When Dunham laughed in glee, Noah paused the footage and said, “I haven’t seen Lena Dunham that excited since HBO made its office clothing-optional.” Really? Lena Dunham’s highly political, feminist, and ground-breaking decision to show a character with a “normal body” naked on TV is reduced to a punchline about how much she likes to be naked.
Noah went for an easy punch line and some body-shaming when he interviewed Chris Christie, too: Recalling the first time he met the governor, Noah says, “You were wearing shorts. I will never…forget it. You look good in shorts.” Christie responds to the implicit fat joke by rolling with it and making fun of his own appearance: “There’s no requirement to lie in your first week on the job.”
Noah did cover John Boehner’s retirement and made a statement about how right-wing Washington has become: “Even John Boehner, the man once ranked the eighth-most-conservative man in Congress, wasn’t right-wing enough.… It’s like crack telling meth that it’s not addictive enough. ‘Yo, man, you got to step your game up, crystal, you make teeth fall out, big deal. I put down Whitney Houston.’” But the joke was timid, at least politically, and the only risky part was the Whitney Houston reference, which got a groan.
The retirement of John Boehner and Jon Stewart, which should have been a short joke, or perhaps a few jokes, was stretched into a meta and self-referential report from correspondent Jordan Klepper, who told Noah, “I get how you feel. Taking over for John—Boehner—is hard.” Noah replied, “Pretty soon everyone will be saying, John please come back.” The Boehner/Boner jokes didn’t have a real perspective, political or otherwise. There was no personality. And so it fell pretty flat.
In contrast, correspondents Roy Wood and Jordan Keppler brought an angle and some character to the show, which made them funnier. It wasn’t earth-shattering (no pun intended), but Roy Wood Jr.’s report on NASA’s discovery of liquid on Mars was the first time I laughed during the debut episode. It was also the first time racism (and not just race) was addressed on the show. When Noah asks Wood what he can tell us about the story, Wood responds, “I can tell you I don’t give a shit.” When an optimistic Noah says, “Doesn’t this raise the possibility that one day people can live on Mars?” Wood responds, “People like who? Me and you? How am I going to get there? Brother can’t catch a cab, you think we can catch a spaceship?… Black people ain’t going to Mars! And that includes you, Trevor.”
The other funniest segment of the show was a joint investigation by white Jordan Keppler and black Roy Wood into police bias. Again, they had strong perspectives, which drove the comedy and the political message. During an interview with former NYPD detective and Fox News contributor Bo Dietl, Keppler says, “This is a tough question to ask Bo, but I gotta ask: Are cops racist?” When Bo responds, “No,” Klepper gets up to leave, saying, “That’s good enough for me.”